"What really works … is the mixture of terrors – it doesn't always need to rely upon a supernatural essence – all it takes is a skewering of the human element, and you've got something that can scare people to the bone." - Matt Boiselle, Dread Central

"It's creativity like this that makes me so excited about indie filmmaking." - Cory Carr, Slaughter Film

"It’s a compelling, bleak film that’s well made and worthy of your attention."
- James Evans, Starburst Magazine

"It's not just a film. It's an experience. An immersion into a series of spaces and time periods that adds a new and vibrant energy into a genre that can really use it!" - Malcolm Johnson, The Horror Show

"It’s a breath of originality ... you become the moose, the observer. It's a fresh take on filmmaking within the horror genre." - Nikki Hedrick, 850 Music & Entertainment

"It’s fun to see how each director handles the visual style of the three points of view, not to mention the music, the cinematography, the production design and the art design." - C. Dennis Moore, Movie Rewind

“A unique, visually compelling historical anthology with a great hook. Well worth seeking out.” - Cinephilactic, Bitch Stole My Remote

"The strong theatrical direction helps cement the reality of the horror on display whilst using distinctive cinematography to lift [the film] above the standard genre anthologies." - Saul Muerte, Surgeons of Horror

"A stylish, disturbing, energetic and insidiously creepy look at a family history that most would want erased permanently from the family album ... a very worthy addition to the horror genre [that] comes highly recommended for its originality and, indeed, its beauty."
- Jason Figgis, Ravenous Monster